Indigenous Impact Weekly
Celebrating Leaders and Changemakers
Mark Bin Bakar is a trailblazer in Aboriginal arts, music, and advocacy. A proud Kitja man from Halls Creek, Bakar’s life journey has been one of resilience, creativity, and unwavering dedication to his community. Bakar was born in Derby and raise in Broome, later moving to Geraldton for boarding school and then to Perth. His mother was taken away as part of the Stolen Generations and this has contributed to his dedication to supporting the social and economic empowerment of Indigenous communities.
One of Bakar’s most notable contributions to Australian arts and culture is the creation of Mary G, an iconic character who has captivated audiences across the country. Originally an accidental creation during his time as a volunteer radio presenter, Mary G quickly became a sensation.
Mary G is a straight-talking, no-nonsense “aunty” figure—relatable, humorous, and deeply connected to community values. Recognising the power of this character, Bakar transitioned from radio to live performances, touring nationally. Mary G’s influence extends beyond entertainment; the character has been a crucial advocate for social issues affecting Aboriginal communities, including domestic violence, mental health, and personal well-being.
Beyond Mary G, Bakar has played a pivotal role in fostering Aboriginal music. As a passionate supporter of Indigenous singer-songwriters, he founded his own recording studio in Broome, and established his own record label. His goal is to ensure that Aboriginal artists have access to professional recording opportunities, allowing their stories to be told through music and preserved for future generations.
Bakar’s dedication to the industry is evident in his support for emerging and established artists alike. He has recently produced an album for Francis Cox, ensuring that his legacy lives on. He also highlights the role of country music as a powerful storytelling tool for Indigenous artists, acknowledging its influence on generations of Aboriginal musicians.
Reflecting on his extensive career, Bakar acknowledges the growing presence of Aboriginal artists in the Australian music industry. While historically marginalised, Indigenous musicians are now gaining recognition and mainstream success. He notes the rise of artists like The Kid LAROI, Electric Fields, Thelma Plum, and Ziggy Ramo, who have broken barriers and achieved significant acclaim. However, he stresses that there is still work to be done to ensure that Aboriginal artists receive the respect and opportunities they deserve.
Through his work, Bakar has provided countless opportunities for Indigenous musicians, ensuring that their voices are heard and their talent recognised. His creation of the Stomping Ground Festival further cements his commitment to fostering professional platforms for Aboriginal performers, providing alcohol-free, family-friendly spaces where communities can come together to celebrate their culture through music.
When asked what advice he would give to aspiring Aboriginal musicians, Bakar’s message is simple: “Stay true to who you are.” He encourages young artists to embrace their unique styles, resist external pressures, and remain authentic in their artistic expressions.
Mark Bin Bakar’s legacy is one of empowerment, resilience, and dedication to his people. Whether through the beloved Mary G character, his advocacy for Indigenous music, or his efforts in community building, Bakar has cemented his place as a champion for Aboriginal arts and culture in Australia.